Inktober 2016 - Tolkien Series
Other Works
2D work in the style of Bill Watterson
Ceramic portfolio for work completed after earning a B.A. from Cornell College
A green cloth-bound notebook of heavy off-white stock with holographic cover and spine decorations and edges
Hand-tooled leather bracelets with brass snap
A handmade six-stringed acoustic folk instrument made of white oak
A blank notebook bound in brown faux-leather with silver foil spine decoration and red edges
Ceramic exhibition; an undergraduate senior thesis from Cornell College
Grey cloth-bound blank account book in traditional German springback style with matte silver foil cover decoration
The 1977 Rankin-Bass animated film adaptation of The Hobbit is a treasure and I refuse to hear otherwise lest my entire childhood collapse beneath me.
In 2016, trying to hold at bay the ever-encroaching atrophy of my drawing muscles, I did an Inktober series of characters from the movie and from Rankin-Bass' later adaptation of The Return of the King - which I love with equal childish ardor - in grayscale marker. (Aragorn, Frodo, and the Witch-King are from the latter film.) Each piece took a shockingly, distressingly long time, evidencing my eternal failure to practice drawing regularly, but the result of the markers in a style already so close to my heart continues to this day to delight me.
I posted each piece on social media in succession, daily, as I finished them, accompanied by consecutive snippets of the above narration from the opening of the Return of the King. (For the record, I think we can blame the writers of the two movies, in no small part, for the development of my love of big, esoteric - even cinematic - words, and archaic-flavored grammar-play. Please address all complaints to them.) I will admit to bailing out of the rest of Inktober after I finished this mini-series, but it was immensely gratifying to make a final post of all the images collaged together with the full text of the narration, and equally so to see them all together again here.